Manifestation in applied decorative art reflects a conditionally generalized pictorial image of reality. This is mainly characteristic of Central Asian painting and is the most complex type of implementation of independent drawing. When creating this scene, the master artist skillfully used girikh and Islamic motifs, taking into account distant and large views of Namoyon. Dividing the stripes and rhythms of the pattern into levels, special importance is attached to the lines of the first level pattern. In the image, the girikh is the main one, and the plant pattern is additional and does not go beyond the border of the special line. This pattern has a unique design style: it connects stripes to each other. Leaves are rarely used; the sculpture is characterized by the dynamics of development, movement and waves.